Directed By: Michael Crichton
Starring: Yul Brynner, Richard Benjamin, James Brolin
Tag line: "Boy, have we got a vacation for you..."
Trivia: This movie was filmed in several locations, including the Mojave Desert, the gardens of the Harold Lloyd Estate, and several sound stages at MGM
Man, did this movie make an impression on me back in the day!
As I sat watching it one lazy Saturday afternoon on local TV, I was blown away by the notion of a theme park designed to look like a western town, populated almost entirely by androids. Even with the film’s somewhat glib ending, I found myself hoping beyond hope that someone… anyone… was working diligently to turn this bit of fantasy known as Westworld into a reality.
Delos is a state-of-the-art resort, charging visitors $1,000 a day for the ultimate vacation. With three different scenarios to choose from: Roman World (set in the era of the Roman Empire), Medieval World (the age of Chivalry), and Westworld (the 19th Century Wild West), visitors step into the past, living life as if they were really in that particular time period.
Delos is a state-of-the-art resort, charging visitors $1,000 a day for the ultimate vacation. With three different scenarios to choose from: Roman World (set in the era of the Roman Empire), Medieval World (the age of Chivalry), and Westworld (the 19th Century Wild West), visitors step into the past, living life as if they were really in that particular time period.
Newcomer Peter Martin (Richard Benjamin) and his pal John Blane (James Brolin) are living it up in Westworld, getting into gunfights with outlaws and spending their nights at the local saloon.
But what they don’t know is that some of the androids have been malfunctioning as of late. Fearing they can no longer guarantee their guest’s safety, Delos’ Chief Engineer (Alan Oppenheimer) recommends that they shut down all three worlds in order to run a full diagnostic. His associates, however, believe the problem can be contained, and decide to carry on with business as usual.
Then, disaster strikes; the robots suddenly develop a mind of their own, and turn on both the guests and the park’s employees. As the Chief Engineer and his team attempt to regain control, Peter and John find themselves being pursued by a vicious gunman (Yul Brynner, looking a lot like his character in The Magnificent Seven), who is bound and determined to shoot both of them dead.
The movie does occasionally visit both Roman World (the scenes for which were shot on a Beverly Hills Estate that once belonged to silent star Harold Lloyd) and Medieval World, where we meet a guest (Michael Bartold) whose affair with the Queen (Victoria Shaw) results in a showdown with the dreaded Black Knight (Michael T. Mikler). For the most part, though, Westworld follows Peter and John as they experience all that the American West has to offer, everything from barroom brawls to jail breaks. Another guest, played by Dick Van Patten, even gets to be Sheriff for a day. In these scenes, Westworld has the look and feel of an authentic Hollywood western, and at times we actually forget we’re watching a science fiction movie.
That changes, however, whenever the sun goes down, at which point Westworld takes us underground to Delos’ command center, where the various androids that have been “shot” or otherwise damaged throughout the day are repaired. It’s during these sequences that we discover something is amiss, that a “virus” of some sort is spreading from one robot to another, causing them to occasionally ignore their programming. We join in on the high-level meetings to discuss the issue, and, later on, watch as the crew does everything it can to prevent the inevitable from happening.
The movie does occasionally visit both Roman World (the scenes for which were shot on a Beverly Hills Estate that once belonged to silent star Harold Lloyd) and Medieval World, where we meet a guest (Michael Bartold) whose affair with the Queen (Victoria Shaw) results in a showdown with the dreaded Black Knight (Michael T. Mikler). For the most part, though, Westworld follows Peter and John as they experience all that the American West has to offer, everything from barroom brawls to jail breaks. Another guest, played by Dick Van Patten, even gets to be Sheriff for a day. In these scenes, Westworld has the look and feel of an authentic Hollywood western, and at times we actually forget we’re watching a science fiction movie.
That changes, however, whenever the sun goes down, at which point Westworld takes us underground to Delos’ command center, where the various androids that have been “shot” or otherwise damaged throughout the day are repaired. It’s during these sequences that we discover something is amiss, that a “virus” of some sort is spreading from one robot to another, causing them to occasionally ignore their programming. We join in on the high-level meetings to discuss the issue, and, later on, watch as the crew does everything it can to prevent the inevitable from happening.
When all hell does break loose, Peter, John, and the other guests are fighting for their lives up on the surface while, at the same time, Delos’ engineers are locked underground, their air supply quickly running out as they try in vain to stop the androids in their tracks.
Westworld marked the directorial debut of Michael Crichton, a writer whose novels inspired a number of films, most notably 1993's Jurassic Park. Much like that Spielberg classic, Westworld introduces us to an amazing theme park that falls apart before our eyes, and it is to Crichton’s credit that, even when things go south, we’re still amazed by the worlds he has created, and, in spite of all the turmoil, we kinda wish we were there to see it all go down.
Westworld marked the directorial debut of Michael Crichton, a writer whose novels inspired a number of films, most notably 1993's Jurassic Park. Much like that Spielberg classic, Westworld introduces us to an amazing theme park that falls apart before our eyes, and it is to Crichton’s credit that, even when things go south, we’re still amazed by the worlds he has created, and, in spite of all the turmoil, we kinda wish we were there to see it all go down.
1 comment:
After it appeared one of my pals wrote to Crichton and posed a question: "If all of the robots went haywire, and all of the horses were robots, why didn't the horses go haywire?" Crichton replied with a hilarious letter in which he completely avoided the question. He was stumped.
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