Showing posts with label Spielberg in the 21st Century. Show all posts
Showing posts with label Spielberg in the 21st Century. Show all posts

Saturday, May 10, 2014

#1,363. Lincoln (2012) - Spielberg in the 21st Century


Directed By: Steven Spielberg

Starring: Daniel Day-Lewis, Sally Field, David Strathairn





Trivia: Sally Field gained 25 pounds in order to more accurately portray Mrs. Lincoln








I’ve seen pictures of Abraham Lincoln, but aside from this basic knowledge of what he looked like, I know practically nothing about the man outside of politics.

What did his voice sound like?

How often did he smile (if at all)?

How did he interact with others?

In spite of my continued ignorance on the matter, I can’t shake the feeling that Daniel Day-Lewis, who portrays the 16th President of the United States in Steven Spielberg’s 2012 film Lincoln, absolutely nailed it!

It is a performance for the ages, and convincingly brings one of the country’s most important historical figures to life.

The year is 1865. Having already signed the Emancipation Proclamation two years earlier, thus freeing the slaves, President Abraham Lincoln (Day-Lewis) now needs a Constitutional amendment passed that will forever abolish slavery in the United States. What’s more, it must pass before the end of the Civil War, which, after four bloody years, is now in its final stages.

Naturally, the bill will have its opponents, most of whom belong to the rival Democratic party, but Lincoln insists that his aides secure the votes necessary for passage, and the sooner the better.

Having already gained the support of fellow Republican (and political adversary) Thaddeus Stevens (Tommy Lee Jones), an advocate of equal rights for all, Lincoln and his Secretary of State William Seward (David Strathairn) enlist the help of William M. Bilbo (James Spader), Robert Latham (John Hawkes), and Richard Schell (Tim Blake Nelson), three operatives hired to convince the Senate's undecided members to vote in favor of the Amendment.

While dealing with the pressures of this situation, Lincoln must also see to the health of his wife Mary (Sally Field), who, as a result of the death of their young son a few years earlier, has been battling mental illness. Lincoln is also wrestling with a request made by his oldest son Robert (Joseph Gordon-Levitt), who wants to join the Union Army and participate in the fighting.

From the opening scene, when he’s talking with Union soldiers about their army experiences, Daniel Day-Lewis is Abraham Lincoln. With a quiet, often reflective demeanor and a story at the ready for every situation, Day-Lewis’ Lincoln may not always look like a President (years of war and political wrangling have clearly taken their toll) or act like one (he allows his young son Tad, played by Gulliver McGrath, to run rampant through the halls of the White House, and occasionally takes time out of his busy schedule to play with the boy). But at that moment in history, Abraham Lincoln was the right man for the job.

Unwavering in his commitment to get the 13th Amendment ratified, he patiently listens to those who oppose him, smiles as longtime allies tell him the amendment is destined to fail, and he never backs down. We feel his frustration when, late in the movie, he bangs his fist on a table, telling his subordinates, in no uncertain terms, that failure is not an option. We share his anxiety as he argues with his wife about Robert’s desire to join the army, defending his son’s decision while, at the same time, realizing any tragedy that may befall him will send Mary spiraling into a depression from which she may never recover. With his brilliant performance, Day-Lewis conveys all of this, and much more besides.

There are other reasons to watch Lincoln. Tommy Lee Jones is superb as the cantankerous Stevens, as is Sally Field, who brings humanity to a woman who, at times, is the biggest thorn in her husband’s side. Also strong (in smaller roles) are Jackie Earle Haley as Alexander Stephens, Vice-President of the Confederacy, who travels north to talk peace with Lincoln; and Jared Harris as General Ulysses S. Grant.

Along with the performances, the movie looks wonderful, with Spielberg and his crew recreating the time period in amazing detail, and the debates that rage through Congress as the emancipation bill is being debated will have you on the edge of your seat.

But if there’s one thing you’ll take away from the experience of viewing Lincoln, it’s Daniel Day-Lewis’s portrayal, which I'm convinced provides as comprehensive a portrait of this complex man as we’re ever going to get.







Tuesday, April 17, 2012

#610. Minority Report (2002) - Spielberg in the 21st Century


Directed By: Steven Spielberg

Starring: Tom Cruise, Colin Farrell, Samantha Morton




Tag line: "The system is perfect until it comes after you"

Trivia:  This is the first movie Steven Spielberg ever directed for 20th Century Fox








It's the year 2054, and the law enforcement agency known as Precrime stops killers before they get a chance to kill. Aided by three “Precogs” - beings with the ability to see into the future - Precrime has practically eliminated murder in Washington D.C. In fact, the program is so successful that it's about to be implemented nation-wide.

But when the chief of the Precrime squad, John Anderton (Tom Cruise), himself becomes a suspect in a killing that has yet to happen, the entire agency is thrown into chaos.

A well-respected cop haunted by the tragic loss of his son years earlier, Anderton suddenly finds himself on the run from his former unit, which is placed under the temporary command of Agent Danny Witner (Colin Farrell). The clock ticking, Anderton has less than 36 hours to figure out why the Precogs have predicted he is going to murder a man he has never met before.

The futuristic gadgetry on display throughout Minority Report is impressive; the Precrime lab features an interactive video screen that monitors the Precog's visions, and it is cool as hell. But as Minority Report is quick to point out, advanced technology such as this, even when implemented for all the right reasons, can have its drawbacks.

The amount of control needed to maintain the Precrime unit's firm grip on law and order is all-encompassing, and the citizens of Washington D.C. are expected to surrender a few of their rights for the "greater good". Retinal scanners have been installed throughout the city, immediately identifying people as they enter the subway or shop at the mall. Cars travel on an advanced tracking system that allows the police, if necessary, to override a vehicle's navigation system. Then there are the spiders, small electronic devices that, when released into an apartment complex, crawl under locked doors to scan the retinal patterns of every occupant, in case any criminals are hiding out there.

Along with the intrusive technology, Minority Report explores the ethical ramifications of Precrime, a law enforcement unit that apprehends and incarcerates criminals before they've committed a crime. With this film, director Steven Spielberg and company have created an amazingly advanced society, yet also a cold, impersonal one, where privacy is no longer an option. Yes, Washington, D.C. is murder-free...but at what cost?

Spielberg lets his imagination run wild t
hroughout Minority Report, creating a world of awesome gizmos and gadgets that, in the end, are nothing more than the weapons of the bureaucracy controlling them, used to strip the population of its basic human rights. It is to Spielberg's credit that we sit in awe of his vision of the future while, at the same time, being quite relieved we're not living in it.