Directed By: Ridley Scott
Starring: Sigourney Weaver, Tom Skerritt, John Hurt
Tag line: "In Space No One Can Hear You Scream"
Trivia: A sex scene between Dallas and Ripley was in the script, but was not filmed
Widely regarded as a classic of both the horror and sci-fi genres, Alien is an incredibly dark film, in which director Ridley Scott weaves an atmosphere of isolation and dread that is all-consuming.
After spending months in the outer reaches of space, the company-owned mining barge the Nostromo is finally on its way back to earth. Long before arriving home, however, the crew is awakened from its hibernation by the ship’s computer, which has picked up a distress call emanating from a nearby planet. Though unsure of what they'll find, Captain Dallas (Tom Skerritt) leaves Lt. Ripley (Sigourney Weaver) in command and leads a rescue team to the surface. Once there, Dallas and the others discover an abandoned ship, which obviously crash-landed many years ago, and is now home to hundreds of strange, plant-like pods. Before they get a chance to investigate any further, one of the pods unleashes a creature that attaches itself to the face of crewman Kane (John Hurt). Kane is immediately taken back to the ship, where science officer Ash (Ian Holm) attempts to save him from the unknown intruder. But the damage has been done, and soon a deadly monster is loose on the Nostromo, threatening the lives of all on board.
Yes, Alien is well acted; Sigourney Weaver is impressive in her star-making turn as Ripley, the rugged second-in-command who initially plays everything by the book. Yes, the special effects are magnificent; the alien creature, which Scott reveals ever so slowly throughout the film, is pretty damned alarming. But what stayed with me long after Alien ended was its brooding ambiance, enhanced at all times by the movie's central location: the crumbling Nostromo spacecraft, whose narrow corridors and dark passageways prove downright claustrophobic. This, combined with a general feeling of separation that gradually settles over everyone on board, reminds us the Nostromo, aside from falling apart, is also too far from earth to call for help. Director Scott sets the perfect mood right at the outset, taking us on a tour of the ship before the crew awakens from its hibernation, the ominous score of Jerry Goldsmith, occasionally interrupted by the clanking of machinery, cluing us in that the Nostromo won’t be anything like the pristine spaceships found in 2001: A Space Odyssey. In fact, this is the last place you want to be with a carnivorous alien on the loose.
As frightening as the creature is in Alien, it is doubly scary lurking around on the Nostromo. Not only did the film introduce us to one of the cinema’s most memorable monsters, it put it on a ship that itself managed to give us the creeps.