Showing posts with label Code Red. Show all posts
Showing posts with label Code Red. Show all posts

Monday, April 3, 2017

#2,331. Choke Canyon (1986) - Code Red Label


Directed By: Charles Bail

Starring: Stephen Collins, Janet Julian, Bo Svenson



Trivia 1: Producer Peter Shepherd makes a cameo in this movie as a scientist in a helicopter

Trivia 2: Courteney Cox, Helen Hunt, and Mariska Hargitay were all considered for the lead female role that ultimately went to Janet Julian






It’s tempting to use words like “ridiculous” and “far-fetched” to describe Choke Canyon (aka On Dangerous Ground), a 1986 sci-fi / action flick directed by Charles Bail. To dismiss it as such, though, would be missing the point entirely. Choke Canyon may be absurd, but you’ll be having too much fun to even care.

Physicist David Lowell (Stephen Collins) is on the verge of an important discovery. Having spent months setting up a laboratory in Utah’s Choke Canyon, he is about to prove that sound waves, with an assist from Haley’s Comet (set to pass overhead in a few weeks’ time), can be converted into a clean, renewable energy source.

But if the Pilgrim Corporation has its way, Lowell will never complete his experiment.

Controlled by millionaire John Pilgrim (Nicholas Pryor), the Pilgrim Corp. is in dire need of a place to “store” (aka hide) nuclear waste, and Choke Canyon has been deemed the perfect spot for it. X  Pilgrim’s assistant, Brook Alastair (Lance Henriksen), offers Lowell a large sum of money to vacate the canyon immediately, but the stubborn scientist refuses to budge. This forces John Pilgrim and his cronies to resort to more extreme methods of persuasion, and in a night of violence, all of Lowell’s hard work goes up in smoke.

With Haley’s Comet a week or so away, Lowell takes matters into his own hands, and launches a one-man crusade against the Pilgrim Corporation’s Choke Canyon facility, destroying equipment and planting explosives in every corner of the compound.

Lowell tells Pilgrim, in no uncertain terms, that he won’t end this reign of terror until his lab is rebuilt and equipment replaced. To the company’s surprise, Lowell proves a formidable adversary, and not even “The Captain” (Bo Svenson), Pilgrim’s favorite hired gun, can convince the gung-ho physicist to leave the canyon.

Despite Lowell’s best efforts, the Pilgrim Corporation won’t yield to his demands. That is, until the desperate scientist receives some help from an unlikely ally: John Pilgrim’s only daughter Vanessa (Janet Julian)!

With Vanessa in his corner, Lowell has a fighting chance to get what he wants, but with Haley’s Comet drawing closer by the hour, his window of opportunity is closing… and fast!

While watching Choke Canyon, you may find yourself asking a few questions, like “How does a physicist, who graduated from Harvard, make for such a convincing action hero?”, and “Is it really possible to wrap a large cable around an RV without drawing the attention of anyone inside it?”

Take my advice: don’t bother looking for answers to these, or any other queries that may pop into your head, because the movie does not care about a single one of them. Hell, Choke Canyon doesn’t even waste time breaking down Lowell’s sound waves experiment because it's all smoke and mirrors. The clean energy project is simply a device to turn David Lowell into a badass wrecking machine, armed to the teeth with dynamite (where he got it, I have no idea) and with a talent for sneaking around undetected in the dark (often right under the noses of Pilgrim’s inept guards).

Sure, logic takes a beating throughout Choke Canyon, but its plethora of action sequences more than make up for it. An early scene, when Lowell (on horseback) is being chased through the canyon by two jeeps, ends with a bang (literally); and the aerial stunts that fill the movie’s final act are truly incredible. X Choke Canyon has other strengths, including its cast (Stephen Collins is especially good as the heroic lead) and gorgeous cinematography (courtesy of two-time Oscar nominee Dante Spinotti), but it’s the film’s many exciting moments that make it such an entertaining watch.

And if banishing reason and common sense to the back burner for 94 minutes is all that’s required to enjoy Choke Canyon, then it’s a small price to pay!








Monday, July 21, 2014

#1,435. Group Marriage (1973) - Code Red Label


Directed By: Stephanie Rothman

Starring: Victoria Vetri, Aimée Eccles, Solomon Sturges




Tag line: "Mutual Mates - Carnal Companions - And the Possibilities Go On...And On...And On"

Trivia: Cinematographer Tak Fujimoto worked as an assistant cameraman on this film






A 1973 sex comedy directed by Stephanie Rothman, Group Marriage is a movie about six people, three men and three women, who share everything.

And I do mean everything!

Chris (Aimée Eccles) and her longtime boyfriend Sandor (Solomon Sturges) haven’t been getting along. So, when Chris meets Dennis (Jeff Pomerantz) one afternoon, she invites him home and, later that night, goes to bed with him.

Enraged at first that Chris had sex with another man, Sandor soon has a change of heart when Dennis asks his beautiful girlfriend, Jan (Victoria Vetri), to join them all for dinner. Almost immediately, Sandor falls for Jan, and before long the two couples have become a foursome.

But it doesn’t end there. Eventually, two more people enter the mix: professional lifeguard Phil (Zack Taylor) and attorney Elaine (Claudia Jennings). During their time together, these six experience ups and downs, yet their love for one another remains strong.

So strong, in fact, that they contemplate something that’s never been done before: a group marriage!

Billed as a sex comedy, Group Marriage isn’t the least bit funny. Not a single joke or insult hits the mark, and the gay neighbors Randy (John McMurtry) and Rodney (Bill Striglos), who keep a close watch on everything going on next door, are flamboyantly over-the-top, which after a while becomes distracting.

Along with its weak humor, Group Marriage comes up short in the sex department. The nudity (what little there is) is brief, and a late scene, which shows Phil and Elaine in bed together, is awkward as hell. Even the performances are bad (Claudia Jennings, who was terrific in Gator Bait and The Unholy Rollers, fails to deliver in this one).

The characters in Group Marriage may be trying something new, but the movie itself is as ordinary as they come.